[next] [previous] [title page]
[1] Theodor W. Adorno and Max Horkheimer. Dialectic of Enlightenment. Verso, London, 1979 (1947).
[2] Andreas Alciatus. Emblematum Libellus. Wissenschaftliche Buchgesellschaft, Darmstadt, 1991 (1542).
[3] Mario Alinei and Alfredo Schiaffini. Spogli elettronici dell’italiano delle origini e del Duecento. Mouton, The Hague, 1968.
[4] Johann Heinrich Alsted. Encyclopaedia. Holzboog, Stuttgart (Herborn), 1989 (1630).
[5] Johann Valentin Andreae. Turris Babel. Zetzner, Strasbourg, 1619.
[6] Johann Valentin Andreae. Fama Fraternitatis, Confessio Fraternitatis, Chymische Hochzeit: Christiani Rosencreutz Anno 1459. Calwer Verlag, Stuttgart, 1994 (1973).
[7] Jonathan Barnes, editor. Early Greek Philosophy. Penguin, Harmondsworth, 2002.
[8] Walter Benjamin. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. New Left Books, London, 1973.
[9] Mercedes Blanco. Les rhétoriques de la pointe. Librairie Honoré Champion, Paris, 1992.
[10] Harold Bloom, editor. Selected Writings of Walter Pater. Columbia University Press, New York, 1982.
[11] Boethius. De Musica. In Opera omnia. Firmin-Didot, Paris, 1882.
[12] Anthony Bonner, editor. Doctor Illuminatus: A Ramon Llull Reader. Princeton University Press, Princeton, New Jersey, 1993.
[13] Jorge Luis Borges. The Library of Babel. In Ficciones, pages 79–88. Grove Press, New York, 1941.
[14] André Breton. Manifesto of Surrealism. In Manifestoes of Surrealism, pages 1–48. Ann Arbor Paperbacks, Ann Arbor, Michigan, 1924.
[15] Edmund Burke. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Oxford University Press, Oxford, 1990 (1757).
[16] Jack Burnham. Systems Esthetics. Artforum, 9 1968. http://www.arts.ucsb.edu/faculty/jevbratt/classes_previous/fall_03/arts_22/Burnham_Systems_Esthetics.html .
[17] William S. Burroughs. The Cut-Up Method of Brion Gysin. In The Third Mind [ 18 ].
[18] William S. Burroughs. The Third Mind. Viking, New York, 1978.
[19] William S. Burroughs. Electronic Revolution. Expanded Media Edition, Bonn, 1982.
[20] John Cage. Roaratorio. Ein irischer Circus über Finnegans Wake. Athenäum, Königstein/Taunus, 1982.
[21] Italo Calvino. Invisible Cities. Harvest Books, Fort Washington, 1978.
[22] Italo Calvino. Cybernetics and Ghosts. In The Uses of Literature, pages 3–27. Harcourt, San Diego, 1982 (1967).
[23] Italo Calvino. Prose and anticombinatorics. In Motte [ 71 ], pages 143–152.
[24] Italo Calvino. If on a Winter’s Night a Traveller. Everyman Publishers, London, 1993 (1979).
[25] Vuk Cosic. Contemporary ASCII. Kapelica, Ljubljana, 2000.
[26] Aleister Crowley. The Book of Lies. Red Wheel Weiser, 1970 (1913).
[27] Franz Josef Czernin and Ferdinand Schmatz. Notes about the Poetry Program POE, 1990. http://www.aec.at/en/archives/festival_archive/festival_catalogs/festival_artikel.asp?iProjectID=8950 .
[28] Richard Dawkins. The Selfish Gene. Oxford University Press, Oxford, 1989 (1976).
[29] Franz Dornseiff. Das Alphabet in Mystik und Magie. Teubner, Leipzig, Berlin, 1925.
[30] Umberto Eco. Der Streit der Interpretationen. Universitätsverlag Konstanz, Konstanz, 1987.
[31] Umberto Eco. Foucault’s Pendulum. Ballantine Books, 1990.
[32] Umberto Eco. Misreadings. Harvest, San Diego, 1993.
[33] Umberto Eco. The Island of the Day Before. Penguin, Harmondsworth, 1996.
[34] Hans Magnus Enzensberger. Einladung zu einem Poesie-Automaten. Suhrkamp, Frankfurt/M., 2000.
[35] James George Frazer. The Golden Bough. Macmillan, London, 1950.
[36] Franchino Gaffurio. De harmonia musicorum. Forni, Bologna, 1972 (1518).
[37] Joscelyn Godwin. Athanasius Kircher. Edition Weber, Berlin, 1994 (1979).
[38] Eugen Gomringer. 3 variationen zu kein fehler im system. In Eugen Gomringer, editor, konkrete poesie, pages 63–64. Reclam, Stuttgart, 1972.
[39] Eugen Gomringer. vom vers zur konstellation. In Eugen Gomringer, editor, zur sache der konkreten, volume 1, pages 7–12. Erker-Verlag, St. Gallen, 1988 (1954).
[40] Paul Graham. Hackers and Painters. O’Reilly, Sebastopol, 2004.
[41] Mark Greengrass, editor. The Hartlib Papers. University Microfilms, Michigan, 1996. CD-ROM.
[42] Brion Gysin. Permutation poems. In The Third Mind [ 18 ].
[43] Georg Philipp Harsdörffer. Frauenzimmer Gesprächspiele. Deutsche Neudrucke: Reihe Barock. Niemeyer, Tübingen, 1968-69 (1643-57).
[44] Georg Philipp Harsdörffer. Mathematische und philosophische Erquickstunden. Texte der frühen Neuzeit. Keip, Frankfurt (Nürnberg), 1990 (1636).
[45] Charles O. Hartman and Hugh Kenner. Sentences. Sun and Moon Pres, Los Angeles, 1995.
[46] Douglas R. Hofstadter. Gödel, Escher, Bach. Basic Books, New York, 1979.
[47] Sharon Hopkins. Camels and Needles : Computer Poetry meets the Perl Programming Language, 1991. http://www.wall.org/~sharon/plpaper.ps .
[48] Moshe Idel. The Mystical Experience in Abraham Abulafia. State University of New York Press, Albany, 1988.
[49] Moshe Idel. Ramon Lull and Ecstatic Kabbalah. Journal of the Warburg and Courtauld Institutes, 51:170–174, 1988.
[50] Roman Jakobson. Two Aspects of Language and Two Types of Aphasic Disturbances. In Fundamentals of Language, pages 115–133. Mouton, The Hague, Paris, 1971.
[51] Alfred Jarry. Exploits and Opinions of Dr. Faustroll, Pataphysician. Exact Change, Berkeley, 1996 (1911).
[52] Asger Jorn. La création ouverte et ses ennemis. In Situationniste [ 93 ], pages 175–196.
[53] Immanuel Kant. Critique of the Power of Judgment. The Cambridge Edition of the Works of Immanuel Kant in Translation. Cambridge University Press, Cambridge, 2001.
[54] Alan Kay. User Interface: A Personal View. In Brenda Laurel, editor, The Art of Human-Computer Interface Design, pages 191–207. Addison Wesley, Reading, Massachusetts, 1990.
[55] Donald E. Knuth. The Art of Computer Programming. Addison-Wesley, Reading, Massachusetts, 1973-1998.
[56] Donald E. Knuth. Things a Computer Scientist Rarely Talks About. CSLI Publications, Stanford, 2001.
[57] Jan Amos Komenský. Orbis sensualium pictus. In Opera Omnia, volume 17, pages 69–271. Academia Praha, Praha, 1970.
[58] Quirinus Kuhlmann. Epistolae duae. Lotho de Haes, Amsterdam, 1674.
[59] Quirinus Kuhlmann. Prodomus. Lotho de Haes, Amsterdam, 1674.
[60] Quirinus Kuhlmann. Himmlische Libes-küsse. Niemeyer, Tübingen, 1971 (1671).
[61] Fran çois Le Lionnais. Lipo: First manifesto. In Motte [ 71 ], pages 26–28.
[62] G.W. Leibniz. Dissertatio de arte combinatoria. In Sämtliche Schriften, volume 1 of VI, pages 165–230. Akademie-Verlag, Berlin, 1989.
[63] Steven Levy. Hackers. Project Gutenberg, Champaign, IL, 1986 (1984).
[64] Klaus Maeck and Walter Hartmann, editors. Decoder Handbuch. Trikont, Duisburg, 1984.
[65] Solomon Maimon. An Autobiography. University of Illinois Press, Chicago, 2001 (1792).
[66] Stéphane Mallarmé. Un coup de dés jamais n’abolira le hasard. Gallimard, Paris, 1993 (1914).
[67] Katharine Mieszkowski. The most feared woman on the internet. Salon.com, 2002. http://www.salon.com/tech/feature/2002/03/01/netochka/ .
[68] Abraham A. Moles. erstes manifest der permutationellen kunst. Stuttgart, 1963.
[69] Abraham A. Moles. Art et Ordinateur. Casterman, Paris, 1981 (1971).
[70] Daniel Georg Morhof. De Acuta Dictione. Petrus Böckmannus, Lübeck, 1705.
[71] Warren F. Motte, editor. Oulipo. A Primer of Potential Literature. University of Nebraska Press, Lincoln, London, 1986.
[72] Novalis. Das Allgemeine Brouillon. Meiner, Hamburg, 1993 (1798/99).
[73] Hans Otto Peitgen. The Beauty of Fractals. Springer, Heidelberg, New York, 1986.
[74] Georges Perec. Die Maschine. Reclam, Stuttgart, 1972 1968.
[75] Georges Perec. A Void. HarperCollins, New York, 1994 1969.
[76] Giovanni Pico della Mirandola. Oration on the Dignity of Man. MacMillan, 1985 (1486).
[77] Publilius Optatianus Porfyrius. Publilii Optatiani Porfyrii Carmina. Paravia, Turin, 1973.
[78] Vladimir Propp, editor. Morphology of the Folktale. University of Texas Press, Austin, Texas, 1968 (1927).
[79] Thomas Pynchon. Gravity’s Rainbow. Vintage, London, 1995 (1973).
[80] Thomas Pynchon. The Crying of Lot 49. Perennial Classics, New York, 1999 (1967).
[81] Raymond Queneau. Exercices de style. Gallimard, Paris, 1947.
[82] Raymond Queneau. Cent mille milliards de poèmes. Gallimard, Paris, 1961.
[83] Raymond Queneau. Potential literature. In Motte [ 71 ], pages 51–64.
[84] Simon Richter. Laocoon’s Body and the Aesthetics of Pain: Winckelmann, Lessing, Herder, Moritz, Goethe. Wayne State University Press, Detroit, 1992.
[85] W. Rhys Roberts, editor. Longinus on the Sublime. Cambridge University Press, Cambridge, 1899.
[86] Friedrich Rückert. Grammatik, Poetik und Rhetorik der Perser. Verlagsbuchhandlung Otto Zelle, Antiquariat Otto Harrassowitz, Wiesbaden, Osnabrück (Gotha), 1966 (1874).
[87] Maciej Kazimierz Sarbiewski. De Acuto et Arguto liber unicus. In Wykladi Poetyki, pages 1–20. Wydawnictwo Polskiej Akademii Nauk, Wroclaw, Krakow, 1958.
[88] Tom Sawyer and Arthur David Weingarten. Plots Unlimited. Ashleywilde, Malibu, 1994.
[89] Julius Caesar Scaliger. Poetices libri septem. Frommann, Stuttgart, 1964 (1561).
[90] Jacques Scherer. Le livre de Mallarmé. Gallimard, Paris, 1977 (1957).
[91] John R. Searle. Minds, brains, and programs. The Behavioral and Brain Sciences, 3:417–456, 1980.
[92] Claude E. Shannon. A Mathematical Theory of Communication. Bell System Technical Journal, 27:379–423, July 1948.
[93] Internationale Situationniste, editor. Internationale situationniste. Édition augmentée. Librairie Arthème Fayard, Paris, 1997 (1958-1969).
[94] Cornelia Sollfrank, editor. net.art generator. Verlag für moderne Kunst, Nürnberg, 2004.
[95] Alan Sondheim. Introduction: Codework. American Book Review, 22(6):1–4, September 2001.
[96] Karlheinz Stockhausen. Weberns Konzert für neun Instrumente op. 24. In Texte zur elektronischen und instrumentalen Musik, pages 24–31. M. DuMont Schauberg, Köln, 1963 (1953).
[97] Jonathan Swift. Gulliver’s Travels. Washington Square Press, New York, 1960.
[98] Tristan Tzara. Pour fair une poème dadaïste. In Oeuvres complètes. Gallimard, Paris, 1975.
[99] Larry Wall, Tom Christiansen, and Randal L. Schwartz. Programming Perl. O’Reilly, Cambridge, Köln, Paris, Sebastopol, Tokyo, 1996.
[100] McKenzie Wark. Essay: Codework. American Book Review, 22(6):1–5, September 2001.
[101] Frances Yates. The Art of Memory. Routledge & Kegan Paul, London, 1965.
[102] La Monte Young. Composition 1960 #10 to Bob Morris. In Harald Szeemann and Hans Sohm, editors, happening & fluxus. Kölnischer Kunstverein, Köln, 1970 (1960).
[next] [previous] [title page]