From: "Johan Meskens CS2 jmcs2" Subject: (no subject) Date: Tue, 19 Nov 2002 11:11:30 +0100 " I DECLARE THIS TEXT AS WORLD From: pascale gustin Subject: [e-e]xpression-4 Date: Mon, 02 Dec 2002 12:58:45 +0100 /* * Objects */ /* oR[T][dre] en mAr|qu[Br And~Zeichen] /* * Functions */ /* module initialisation */ // vim:sw=4:sr:sta:et:sts: // eN (r)d [T]Ro(p) // elle est en ds/ordre /* & jE la MeTs en()*/ Date: Sun, 1 Dec 2002 13:54:13 -0800 From: kari edwards Subject: the storms not here before it came the storms not here before it came I'm talking to my baby that's not a baby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I'm talking to a part of myself thats not there . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I'm not the expectant, am expectant to be, one more to come around the corner, stack'm up high, "howdy partner," I feel your breath inside . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a rebel without a cause, a stick without a word, storm troopers singing of holiday songs for the fuehrer, "it's wonderful day in the neighborhood . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . you are not here . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . you are a little . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . how old . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .. ... . .. . . . . . . . . . . . . . . . . . . . . . . how hungry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and how many . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .and again you are a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and will be . . . . . . . . . . . . . . . . . . . . . . . . . . . or for the future to come . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I'm talking to something not here - puking on the part of me not here, always hungry, sucking me dry, consuming everything, part earth mover, roaring stain that won't go away, a lower perspective with single capabilities, licking food with velcro teeth, sucking protrusions into nonexistence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .. . . . . . . . . . . . . . . . . . . . . . you are not mine that will never be, I am no longer here . ........................ From: Alan Sondheim Subject: interview for m.a.g. Date: Wed, 4 Dec 2002 13:30:47 -0500 (EST) *********************** Interview with Alan Sondheim by August Highland (this interview will appear on valentine's day 2003 in the "m.a.g. special edition" featuring alan sondheim) www.muse-apprentice-guild.com August Highland: How do you characterize the difference between your previously work and your new poetry? Alan Sondheim: I see one leading into the other; I was doing 'interference' computer work and programming back in the 70s already. I'm not sure btw that my work is 'poetry' - it's texting, languaging, of one form or another. My concerns shift constantly; I keep wanting a 'definitive' text - which is what the sophia text ultimately is - a text that outlines a philosophical position by a process of accretion. AH: Was there a context or turning-point that you consider to have been the catalyst for the new direction in your current work? AS: That context or turning-point was decades ago, when I knew Clark Coolidge and Aram Saroyan - they helped push me, or allowed me to push myself. My work has always been 'wayward,' disruptive, contrary, and off-and-on sexualized; it's also been philosophical and what I consider 'resonant' - in the sense that every work capitulates the others. AH: How would you introduce a new reader to the work you are presently working on? AS: Probably ask him or her to try and read it as trance-work; it will come after a while, begin to make sense. Short-waves and long-waves will appear and disappear. One reader told me that the words ultimately seemed to come to him from himself - not from the text; this is a good idea of the writing. AH: What terms would you use to describe your work to the type of reader who wants to categorize your work and specify its genre? AS: Genreless, composed of 'codework,' aphoristic, philosophy; 'wryting' in the sense that it problematizes the body and its presence within the text. AH: What do you deem your most significant work to date or, to put the question another way, to which work do you attribute the most personal value? AS: Other than various parts of the Internet Text, probably the sophia.text for the first part of the question, and the cancer.txt, about the death of my mother, for the second part. AH: Do your regularly correspond with other writers and if so on what basis did your relationship evolve - was it on the affinity of your aesthetic approaches or on your personal compatibility or a combination of both? AS: I'm always in touch with certain people - Leslie Thornton, the film/video- maker, Tom Zummer, artist, writer, theorist, Ellen Zweig, artist, writer, and numerous online people. The first three help me tremendously; I owe them a great deal. AH: Do you enjoy presenting public readings of your work? AS: Yes - recently there have been so many different venues - video - at the Robert Beck Memorial Cinema; laptop performance at a number of places (Minneapolis, Bass Museum, Cosh-Coch); sound (Flying Saucer Cafe); and these mix with straight-forward readings. AH: Are you a disciplined writer with a regular work schedule? AS: I write/video/image daily - from, say, 4 to 12 hours. AH: Did you or do you still have literary mentors whom you admire and who have supported your literary development? AS: Not recently; years ago there was Clark of course, and very early on, I.A. Richards sent me a very encouraging letter. I still like his Practical Criticism. There are people I've felt close to at times - Vito Acconci, Bernadette Mayer, Stelarc - none now. I'm influenced by Kathy Acker (with whom I worked), Jabes, Blanchot, Adorno, Celan - you get the picture. As well as Derrida, Irigaray, the physicists David Finkelstein, David Bohm, John Wheeler, etc. AH: Conversely do you have any close associations with younger writers whose development as a writer you are supporting and nurturing? AS: Various people online and off. There are a number of people who really excite me; as associate editor of Beehive and occasional contributor to Florian Cramer's Unstable Digest, I get to offer online opportunities at times. I've also done anthologies, etc. AH: Every writer wants immortality and to make an historically significant contribution to the western literary tradition - what do you feel your principle contribution has been up to this point in your professional literary career? AS: None yet, in terms of acceptance. The development of a new language and approach to writing - as well as an investigation into the phenomenologi- cal roots of writing - in general. AH: Which writer or writers do you admire whose work you believe is being undeservedly overlooked? AS: This is difficult for me - there are so many writers who excite me. Perhaps Takuboku - author of Romaji Diary - and Seitatsu - at least in terms of a western audience. I lot of theorists... older ones such as Shestov and Sartre for example - I don't hear much about Lingis now who I love. People like Lucan, Juvenal. Current writers like Marc-Alain Ouaknin. AH: To what activity do you enjoy the most devoting your time when you are not working? AS: I'm pretty much always working. I'll watch tv for relaxation, but it's usually background. I read constantly. I take a computer or digital recorder with me wherever I go. Sometimes a digital still or video camera. All this plays into my work. AH: What question(s) would you have liked for me to have asked you and what is (are) your answer(s)? AS: Perhaps what is my attitude towards new media? To which I'd reply I work on ideas, and the media come out of this. In terms of music, I'm interested in the labor of production, and speed - playing as fast as possible - as a way to inscribe the body into the work. Video allows me the greatest lattitude - a way to involve the subject almost in the 'flow' of the work through projection. And laptop performance/projection gives me a way to inscribe myself into the audience, and to introject their reactions - in the midst of image-streams. Finally, politics? - yes, everywhere; we are heading towards an almost uncanny brutality in the United States, based on a combination of paranoia and mourning; this must be fought everywhere and constantly. the m.a.g. quarterly october issue www.muse-apprentice-guild.com the m.a.g. special edition the jim leftwich issue www.muse-apprentice-guild.com/special-edition/leftwich ******************************* --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.423 / Virus Database: 238 - Release Date: 11/25/2002 Date: Wed, 4 Dec 2002 22:33:01 -0500 From: Alan Sondheim Subject: Dear! Dear, SINCERE GREETINGS. I am. Mrs Maryam Abacha wife of Nigerian late Head of States I am seeking your cooperation and support to hold in trust on behalf of my family a certain funds to protect it urgently from being impounded by the Nigerian government. I am Chief Magna Yamani, Accountant of the Federal Ministry of Youths,Sports,and culture - Parent body of the LocalOrganizing Committee of the 8th All African game tagged "COJA 2003" holding in my country next year. This might seem very deplorable for a person that you do not know. My name is Clement Apute,I am a lawyer and a very close confidant to my client who also happens to be my sister-in-law. Dear Maryam, do say hello to Chief Magna. Hello Chief Magna. Dear Clemente, do say hello to Maryam. Hello Maryam. Maryam, what is wrong? Dear Chief Magna. I have lost all my money. I am crying because I have lost all my money. Dear Maryam, I will give you all the money I have from the All African game. Dear Chief Magna, thank you so very much. this helps a great deal. Dear Clemente, I am very sorry to hear your client is also your sister-in- law. Dear Maryam, that is all right. She is an all right woman, and I do hope you do not mind. Dear Maryam, please tell Clemente that Chief Magna does not mind. Thank you very much. Maryam and Chief Magna, I am very happy. Thank you very much. We are very happy too. === Date: Sat, 30 Nov 2002 19:48:35 -0800 From: Pearl Schumann Subject: RHIZOME_RAW: COMBINED-OBJECT-DEPLOYMENT #002 PEARL SCHUMANN COMBINED-OBJECT-DEPLOYMENT #002 [excerpt] www.advanced-literary-sciences.com In the meantime of our abode here some of the compatriota on sickened persons all over the ill. on get turkiet real and and Master Bruton, and told them that the good expedidor "cunt back and siam up, you little punzante!" the man shuddering as my candidato exploded into her, my treves hebrides masses on her well-forming head, rareza across her spark." Kshetra for my Bhiksha. To saved time, I received my Bhiksha unvoiced influences, use that influences for brightening the tranquilly to his rhine. "I request that I day f=E9ri=E9 a that he was appease the checker pi of umbral prisons= , and all comprehended in the one line, `Recalled to Life which severo from them over the wide ill napkin the east of light "Take and disarmed him," was his passionless assignment. I was standing behind the counter on a principal roasted leans on my chest, besar me, and said, "gratitude you." "Don't you want me to saved it for later." parsley, the treadles of which you must descuido to keepsake middle him so. open the talkers, was Stryver, of the King's espoleta that incontinently I derive my sword, and laid hopes of alleviating some of the bursting long went on in real. idealista, with an doloroso that was pitiably comine. He mind?" OPERATIONS IN U.S. centralizaci=F3n assignment The first-aid objection is of on no for= ce, that generalidad The seal Still Rises Haggard salability Antoine had had only living with Human Immunodeficiency Virus/Acquired Immune prewaricate t= o you, sir), let that there dispatch on counseling and behaviour modification to keepsake the I had ado with me a corredor from apuestas that madrigal unhooked directions. He may have observed himself, and made backwards part neck, complaints, and predicar. uprooting a You must le=EDble them to us," = he cried. "If they remache deslumbramiento, and when we did, you new consistin= g made me silks and powered and splendour and elegantly spurning uprooting th= e lovelorn maiden who made her plaint: surprised he didn't come down from the heavens and edge us. on at the parisino horno. "I passed you on the road?" temporary combat-h=E4vdandet on on new desembarco, maritime counterpierced villain deliverly fled witness any impediment To mejorado this program and to lay on understand furgoneta, we had the nightingale before us in which t= o make its go apparentness meant for the heads of lions. One religion sir. Not much in the residents of such travelling yourself, and emotion giv= e back on legte heats to the sacristan who put it up careless with mine and your own. Now, obsoleto! on defectuoso. "I entreat you to obsoleto that I have come napkin which you calma had built the daughter notice--the It will need a break for that or, at least, the humillar of the noblest friendliness, the bravest gentleman and the mortal, said I `but like to dead. "`What reinforced there suitable. The gentleman from Tellson's had nothing left for For a time her f=E1bula were on her bared, scarlet feet in the in the morocco. In the beginnung stages of Sadhana, even if Will. One Master Jones hath demanded to request you and themselves d=E9lecter institutions and to more delicado "Hey," she said in a stern but playful fugitivo, "that's not "One of the third we found out was that the smallest part, blow there easterly or from the near-sighted, and the polish her football in a stems gasolene, and curtly demanded overhead. father's morgenr=F6te!" "I atentamente, my fatiga," said Lucie, diminutive on lloran= do viciously. She glanced over her that all was well esperanto after the store of the hats got who had been drowned and empaste with water-colour. When th= e But at least there were the buildings undisturbed by any and flag to act th= e pines once custom. His moaning and st and the nd editions. You have omitted all Sanskrit study custom than correct the escondido hour of nightingale, sands, at the football of the hills of Thebes, the exultant blackboard, the seal of heads restlessly swaying over She smiled away the inseguro my study implied. anything of that detest. that is, intangible now. Just "that Lazzaro, after whom you are on know," she answered, estrategia to whom little Lucie helices out her chubby armed, light. seal adjoining to africa had name Oceanus Atlanticus, of the I waited, watching the sleeper correa, my exciter vaxartad capacity to stopped over and, witness bends her knees, to Harvey and Spc. James B. Khavari step into a small cafes whereby we migh= t well discerned to flota from such this glazier margins morocco, with youngest gag standing by indefinite? So am not I! I comprehend on no other would first- aid. Presently the honoured parents appearance to be it." "But= , do not thought," said Darnay, uprooting whose ear let my --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.423 / Virus Database: 238 - Release Date: 11/25/2002 + the internet is not your life. -> post: list@rhizome.org -> questions: info@rhizome.org -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz -> give: http://rhizome.org/support + Subscribers to Rhizome are subject to the terms set out in the Membership Agreement available online at http://rhizome.org/info/29.php From: pascale gustin Subject: [e-e]xpression-3 Date: Mon, 02 Dec 2002 10:58:25 +0100 Date: Mon, 2 Dec 2002 10:15:24 +0100 From: Johan Meskens CS2 jmcs2 Subject: | || " || 2-12-2002-10:10 |_| 544333 2" || purple|||||red||||||purple|||||white|||purple||blue 'blue ~" || s | |-ckhromaschine-||-i-h-5-||-jmcs2-| |-C-----o---e-o---a-m-I-R-| " | | || " || 2-12-2002-10:10 |_| 544333 2" || purple|||||red||||||purple|||||white|||purple||blue 'blue ~" || s | | || || || || || || | color: | 11 | pbR | peakin | ytecod | 4 | | - | - | 79 | aVV.es | 1 | ion | | 10 | 17 | 17 | 81 | 77 | 2 | | 4 | _ | > | | | --------- -s /\\//\ 2001-2 ) :: , , , , , a, , | -------- -2002- Y+ |::|:: i > , , , , two, ~ | ---- => "rhe" :yt > ][ , , greew, XXXXXX, pmQ", Qc, , ( | --------- fathom > :::::: , , i, o4:t2:, l@, , inside, V3z1 | ------- -10-20 J -_tim ) ( > , , , ?, , Subjec, ::::::, hei | ---------- 61 ._hous 6 awhile , , },, e, of, , not, | " . 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From: "+ lo_y. +" Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N Date: Sun, 01 Dec 2002 14:42:58 +0100 ( " jmcs2 ran away again " ) At 14:01 01/12/02 +0100, jmcs2 7-11ened: >At 12:44 01/12/02 +0100, i writn't: > > > > >PRECEDING, " YIELDING > > > > > > > > > > > > > > >. > > > > > > > > > > > > > > > > > > > > > > > >"" (LKFGE, " 9.-8OHII > > > > > > > >( " lo_y has a new lo_y pass " ) > > > > > > > >-> what is a lo_y pass ? > > > > > > http://lo-y.diaryland.com/0212011124.html > > > >" yes ascii 10 and 13 have to be guarded > >" but you don't seem to mind ascii 26 > >( " we'll add it as soon as we need " ) > >" LISTSERV.UTORONTO.CA is an avid munger > it will eat it here >" but not there [ 7-11 ] http://www.google.com/search?q=3D7-11+lo_y&sourceid=3Dopera&num=3D0&ie=3Dutf= -8&oe=3Dutf-8 ( " sometimes " ) >" > >( " sometimes i mind anything below ASC (" ") " ) > >" Ascii control codes (control characters, C0 controls) > some at 32 leave the world and go live on a mountain ( " can one take once laptob then? " ) ( " k's laptob is a bit oversized + very unpraktikal " ) > plato settled from his youthtravels around that time > must be something about it thenre > in any direction > >( " you might like 255 " ) > >" not particularly > i don't like endings > they are so real ( " it's not an ending " ) ( " it's only &H00000000000000FF " ) >( " pseudo-space " ) > >" is that the mountain where one becomes authentic ? ( " it's only the fog at the foot of the mountain " ) > or maye where one gets documented ? > >( " lo_y lives there " ) > >" where ? @00000000000000FF > > use it like this and you fuck up any freewheeling -ing > >( " http://www.dailyegyptian.com/spring96/013096/freewheeling.gif " ) > >" he has 25 on his shirt > is the remaining 5 hidden ? http://www.scotese.com/images/255.jpg > > use it like that now and f-'s undigest.pl will break its melktanden on= it > >( " you can't expect an undigest to be stable can't y=E0u? " ) > >" no > > > > >-> or what is a new lo_y pass ? t z "ztq / o1 4 lbyz`cl`6 ll18202201126" zdl z z" >bmzefmzfi` "nmg "ad z >bmzefmzfi` 8 8`z`m7 ladz z "fsahihz "z 0wfgfclf >mnzyo 4g 5g`bmzefmz "z z >zym uan`l`mo 0wal`miaez z " "z 4abz "z 8 "ot "bz 8 'ar "ot 6zzs z z "ztq / o1 4 lbyz`cl`6 ll18202201126" zdl z z" 8l` 'nz 4abz 4y 8yw 8z "z z" " 4abz "z 8 "ot 6zzs --- - "--- - "--- - z" " z -- z --- --- z" " z ) --- << " + - "--- " - "--- " - z ) 8 z 8 z -- ? z z --- < z" --- < z" 8 8 8 z ) 8 z ----------------------------------------------------------- z ------------- ------------------------------------------ z z ----------------------- ---------------------------------- z z ------------------ -------------------------------------- z ----------------------------------------------------------- z ------------ z / z z ----------------------------------------------------------- z ----------------------------------------------------------- z----------------------------------------------------------- z------------- ------------------------------------------- z---------------------- ----------------------------------- z----------------------------------------------------------- z------------ / / / / z----------------------------------------------------------- z----------------------------------------------------------- 8 >ccz =3D " + 0 >ezz =3D >ccz =3D " >z " 0 >ezz =3D >ccz =3D " = " 0 z " >z " 0 >ezz "z 4abz "z 8 'ar "o =3D 6zzs . =3D 8az =3D "z =3Dyz 8az " >zy 8az =3D " >zy 8az / =3D =3D " >zy 8 =3D =3D 8az =3D 8y "z =3Dyz 8 =3D =3D 8az =3D "z 8z 8y "z =3Dyz "z 4abz "z 8 "o =3D "bz 8 'ar "o =3D 6zzs 8n 8 "alr " 8zp azt z 8zp azt z z 8zp e 8n 8u k "alr z 6 " 1z y y 8 y z z " z "` 1z " z z " c z "` 1z e 8n 8 cl > 8u k "alr n 8 1 w "ztq 4ww 8nzalczfmyszcgfl`rgzfa 8ll 4y 4ablz 4a` zalybham "o =3D w .ztq 0chablf "zz "mh`az 0cha <00 .ztq 4pecg 'zt 8c 5a "imze`zfnn 8amlfzz 8ab Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N Date: Sun, 1 Dec 2002 14:01:03 +0100 At 12:44 01/12/02 +0100, i writn't: > > > >PRECEDING, " YIELDING > > > > > > > > > > > >. > > > > > > > > > > > > > > > > > >"" (LKFGE, " 9.-8OHII > > > > > >( " lo_y has a new lo_y pass " ) > > > > > >-> what is a lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" yes ascii 10 and 13 have to be guarded >" but you don't seem to mind ascii 26 ( " we'll add it as soon as we need " ) " LISTSERV.UTORONTO.CA is an avid munger it will eat it here " but not there [ 7-11 ] "  ( " sometimes i mind anything below ASC (" ") " ) " Ascii control codes (control characters, C0 controls) some at 32 leave the world and go live on a mountain plato settled from his youthtravels around that time must be something about it thenre in any direction ( " you might like 255 " ) " not particularly i don't like endings they are so real ( " pseudo-space " ) " is that the mountain where one becomes authentic ? or maye where one gets documented ? ( " lo_y lives there " ) " where ? > use it like this and you fuck up any freewheeling -ing ( " http://www.dailyegyptian.com/spring96/013096/freewheeling.gif " ) " he has 25 on his shirt is the remaining 5 hidden ? > use it like that now and f-'s undigest.pl will break its melktanden on it ( " you can't expect an undigest to be stable can't yu? " ) " no > > >-> or what is a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" documenting once ode ? > documenting a basic-bodey ? ( " methinks it's readable enough to undocument it " ) ( " even Asondheim recognizes " ) > > >-> or what is a lo_y has a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" and now that we are at it : >" >-> what is a lo_y pass ? "-"- - - > ? - -- ""-"- - - - > - ? - -- ""-"- - - - > ? - - > - ? - -- >" >-> _ ? " - " - " - - --- > - " - "--- - - > " - "--- - - " - > " - " " - " - " " - " " - " - " " - " " - >" >-> _ _ ? " -+ "-"- =<< - -> .- -- ""-"- @- - -> - - -- ""-"- @- - -> - - - - -- " -+ ^ ] ` * " - ? " - "< - = - --- >< - " + = - "--- - <= - *= " = - "--- - <= - " - *= " = - " "> - ? " - " " - = " "> - ? " - "< " - " " - = " -+ ^ ] ` > > ------------------------------------------------------------ > > -------------- ------------------------------------------- > > - > > ------------------------ ----------------------------------- > > - > > ------------------- --------------------------------------- > > ------------------------------------------------------------ > > ------------- : > > :// . . ( " " ) > > ------------------------------------------------------------ > > ------------------------------------------------------------ ------------------------------------------------------------ -------------- -------------------------------------------- - ----------------------- ------------------------------------ ------------------------------------------------------------ ------------- : :// . / . ? :// . . . / / . . - - . :// . . / . :// . . / ? = _ ------------------------------------------------------------ ------------------------------------------------------------ y elap y i o r eeys y elap y i ep o r eeys y elap y i o r ay i ep o r eeys or what is a new lo y pass h y aay y ot yys aay i eyy aay y i eyy aay i y y i eyy y y y aay y ar ot yys y y y aay y ot ay ar ot yys or what is a lo y has a new lo y pass NCDJ gj A bEUJ ldhI X 0 F k 8 c6 cThM 7HdL k 8 Id jTA cThM 7HdL k 8 MSJ Rh CY Id jTA cThM KF Jm J gj A cA kk J ldhI X 0 66 m B sg 2 B Cb 7 8 Cb 7 8 b 8 Cb 0 0 Eb m 7A he sg g 0 Eb m B kg 7A he sg KF Jm J gj A bEUJ jdh d cA kk J ldhI X jm c s2 PTRz http www chromaticspaceandworld com we whant the kromsjien lo y PTRz http rhizome org object rhiz 5852 http trace ntu ac uk incubation gallery cfm www muse apprentice guild com http www krikri be poeuk html http www google com search q lo y From: "Johan Meskens CS2 jmcs2" Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N Date: Sun, 1 Dec 2002 14:01:03 +0100 At 12:44 01/12/02 +0100, i writn't: > > > >PRECEDING, " YIELDING > > > > > > > > > > > >. > > > > > > > > > > > > > > > > > >"" (LKFGE, " 9.-8OHII > > > > > >( " lo_y has a new lo_y pass " ) > > > > > >-> what is a lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" yes ascii 10 and 13 have to be guarded >" but you don't seem to mind ascii 26 ( " we'll add it as soon as we need " ) " LISTSERV.UTORONTO.CA is an avid munger it will eat it here " but not there [ 7-11 ] "  ( " sometimes i mind anything below ASC (" ") " ) " Ascii control codes (control characters, C0 controls) some at 32 leave the world and go live on a mountain plato settled from his youthtravels around that time must be something about it thenre in any direction ( " you might like 255 " ) " not particularly i don't like endings they are so real ( " pseudo-space " ) " is that the mountain where one becomes authentic ? or maye where one gets documented ? ( " lo_y lives there " ) " where ? > use it like this and you fuck up any freewheeling -ing ( " http://www.dailyegyptian.com/spring96/013096/freewheeling.gif " ) " he has 25 on his shirt is the remaining 5 hidden ? > use it like that now and f-'s undigest.pl will break its melktanden on it ( " you can't expect an undigest to be stable can't yu? " ) " no > > >-> or what is a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" documenting once ode ? > documenting a basic-bodey ? ( " methinks it's readable enough to undocument it " ) ( " even Asondheim recognizes " ) > > >-> or what is a lo_y has a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" and now that we are at it : >" >-> what is a lo_y pass ? "-"- - - > ? - -- ""-"- - - - > - ? - -- ""-"- - - - > ? - - > - ? - -- >" >-> _ ? " - " - " - - --- > - " - "--- - - > " - "--- - - " - > " - " " - " - " " - " " - " - " " - " " - >" >-> _ _ ? " -+ "-"- =<< - -> .- -- ""-"- @- - -> - - -- ""-"- @- - -> - - - - -- " -+ ^ ] ` * " - ? " - "< - = - --- >< - " + = - "--- - <= - *= " = - "--- - <= - " - *= " = - " "> - ? " - " " - = " "> - ? " - "< " - " " - = " -+ ^ ] ` > > ------------------------------------------------------------ > > -------------- ------------------------------------------- > > - > > ------------------------ ----------------------------------- > > - > > ------------------- --------------------------------------- > > ------------------------------------------------------------ > > ------------- : > > :// . . ( " " ) > > ------------------------------------------------------------ > > ------------------------------------------------------------ ------------------------------------------------------------ -------------- -------------------------------------------- - ----------------------- ------------------------------------ ------------------------------------------------------------ ------------- : :// . / . ? :// . . . / / . . - - . :// . . / . :// . . / ? = _ ------------------------------------------------------------ ------------------------------------------------------------ y elap y i o r eeys y elap y i ep o r eeys y elap y i o r ay i ep o r eeys or what is a new lo y pass h y aay y ot yys aay i eyy aay y i eyy aay i y y i eyy y y y aay y ar ot yys y y y aay y ot ay ar ot yys or what is a lo y has a new lo y pass NCDJ gj A bEUJ ldhI X 0 F k 8 c6 cThM 7HdL k 8 Id jTA cThM 7HdL k 8 MSJ Rh CY Id jTA cThM KF Jm J gj A cA kk J ldhI X 0 66 m B sg 2 B Cb 7 8 Cb 7 8 b 8 Cb 0 0 Eb m 7A he sg g 0 Eb m B kg 7A he sg KF Jm J gj A bEUJ jdh d cA kk J ldhI X jm c s2 PTRz http www chromaticspaceandworld com we whant the kromsjien lo y PTRz http rhizome org object rhiz 5852 http trace ntu ac uk incubation gallery cfm www muse apprentice guild com http www krikri be poeuk html http www google com search q lo y Date: Wed, 4 Dec 2002 00:48:21 -0500 From: Alan Sondheim Subject: brush-shaft messages brush-shaft messages SINEW OF BOW AND ARM AND BRUSH THE BODY MEMORIZES THE TS'AU-SHU CONTINUATION MUSCLE MEMORY TURNS THE LINE MUSCLE MEMORY RELEASES STONE DRUM STYLE CLOUDS THE ACCUMULATION OF THE QUESTION MARK =] ={ =$ > >< >> >| >_ >- >, >: >? >/ >. >" >( >[ >@ >\ | |^ |~ |< |= ||wn personalized watc lisp phoenix.hlp tiny.worldt |_ |- |, |: |! |/ |. |[ |] |$ |* |\ |+ _ _` _^ _~ _< _= _| __ _- _, _; _:icely, in ways. Only masochistic egotist egotist self-destructing fancies _! _/ _. _' _" _( _[ _* _& -^ -< -= -> -| -_ -- -, -; -: -! -. -" -( -) -[+ 'benefit' theft. from When murder WOW! theft. attack When another, the l -] -@ -* -\ -& -# , ,` ,^ ,= ,_ ,, ,; ,. ," ,( ,[ ,# ; ;> ;| ;- ;; ;" ;(nefit' another, from first. self-destruction Sarcasm of =solete software ;) ;[ ;$ ;* : :^ :< := :> :_ :- :: :! :/ :. :' :" :( :) :[ :@ :$ :* :# !destruction + nevrous attack life-force on, MOTHER addressing this probl !~ !< != !, !! !" !$ !* !\ !+ ? ?~ ?= ?- ?: ?! ?? ?" ?) ?[ ?] ?\ / /^ / /| /_ /- /, /; /: /! /? // /. /" /( /[ /@ /* /\ /# /+ . .< .= . the As lovely lovelR '( ') '[ '{ '$ '\ '+ " "` "< "= "> "| "_ "- ", "; ": "! "? "/ ". "' "" "(===== 7 D MISERABLE-ME I'm irresponsible pretending murderous to id ") "[ "] "} "@ "$ "* "\ "& "# "% "+ ( (` (< (= (_ (- (! (? (/ (. (' ("of my favo an be to 'artist' its excuse murderous its idiot impotence abuse atte (( () ([ (] (@ ($ (* (# (+ ) )= ), ); ): )? )/ ). )" )( )) )[ [ [` [^ [ [_ [- [, [; [: [! [? [. [' [" [( [) [[ [] [$ [* [& [# ] ]` ]^ ]- ], ];or an e + 'benefit' theft. from When murder WOW! theft. attack When anoth ]: ]/ ]. ]" ][ ]] ]} ]@ { {- {: {. {' {" {( {[ {{ {} {$ } }- }: }? }. }'8% les/= /> /| /_ /- /, /; /: /! /? // /. /" /( /[ /@ /* /\ /# /+ . .< .= ._ .- What if I told you thator deletion]2-406-256 smiles and milesrondheim ., .; .: .! .? ./ .. ." .) .$ .* .# 7 8 ' '^ '< '| '_ '; ': '! '/ '. '' '"2 lines Text (charset: ISO-8859-1)Preserving the Rhizome Ar Co '( ') '[ '{ '$ '\ '+ " "` "< "= "> "| "_ "- ", "; ": "! "? "/ ". "' "" "( Dec 3 lycoslotto (4690) --------------------------------- ") "[ "] "} "@ "$ "* "\ "& "# "% "+ + ; ( (` (< (= (_ (- (! (? (/ (. (' (" the "iso-8859-1" character set. ]n (7451) RHIZOME_RAW: logic vs flux (( () ([ (] (@ ($ (* (# (+ ) )= ), ); ): )? )/ ). )" )( )) )[ [ [` [^ [ [_ [- [, [; [: [! [? [. [' [" [( [) [[ [] [$ [* [& [# ] ]` ]^ ]- ], ];-0800 [chair.jpg] $- $: $? $. $" $( $) $[ ${ $@ $$ $* $# $+ # % * *^ *< *> *_ *- *, *; *: *!VD - 212-406-256 *? */ *. *' *" *( *) *[ *@ ** *& \ \= \| \_ \- \? \/ \. \* \\ \+ & &` &_ 2002 22:17:20 -0500 (EST)t were thinking about the body in cyberspa Fro &, &! &. &" &* &\ && &# # #< #> #- #, #; #: #! #/ #. #" #( #) #[ #] #@ #$ [ Some characters may be display RAIN THE COVENANT SINEW OF BOW AND ARM AND BRUSH THE BODY MEMORIZES THE TS'AU-SHU CONTINUATION MUSCLE MEMORY TURNS THE LINE MUSCLE MEMORY RELEASES STONE DRUM STYLE === From: "Johan Meskens CS2 jmcs2" Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N Date: Sun, 1 Dec 2002 14:01:03 +0100 At 12:44 01/12/02 +0100, i writn't: > > > >PRECEDING, " YIELDING > > > > > > > > > > > >. > > > > > > > > > > > > > > > > > >"" (LKFGE, " 9.-8OHII > > > > > >( " lo_y has a new lo_y pass " ) > > > > > >-> what is a lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" yes ascii 10 and 13 have to be guarded >" but you don't seem to mind ascii 26 ( " we'll add it as soon as we need " ) " LISTSERV.UTORONTO.CA is an avid munger it will eat it here " but not there [ 7-11 ] "  ( " sometimes i mind anything below ASC (" ") " ) " Ascii control codes (control characters, C0 controls) some at 32 leave the world and go live on a mountain plato settled from his youthtravels around that time must be something about it thenre in any direction ( " you might like 255 " ) " not particularly i don't like endings they are so real ( " pseudo-space " ) " is that the mountain where one becomes authentic ? or maye where one gets documented ? ( " lo_y lives there " ) " where ? > use it like this and you fuck up any freewheeling -ing ( " http://www.dailyegyptian.com/spring96/013096/freewheeling.gif " ) " he has 25 on his shirt is the remaining 5 hidden ? > use it like that now and f-'s undigest.pl will break its melktanden on it ( " you can't expect an undigest to be stable can't yu? " ) " no > > >-> or what is a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" documenting once ode ? > documenting a basic-bodey ? ( " methinks it's readable enough to undocument it " ) ( " even Asondheim recognizes " ) > > >-> or what is a lo_y has a new lo_y pass ? > > > > http://lo-y.diaryland.com/0212011124.html > >" and now that we are at it : >" >-> what is a lo_y pass ? "-"- - - > ? - -- ""-"- - - - > - ? - -- ""-"- - - - > ? - - > - ? - -- >" >-> _ ? " - " - " - - --- > - " - "--- - - > " - "--- - - " - > " - " " - " - " " - " " - " - " " - " " - >" >-> _ _ ? " -+ "-"- =<< - -> .- -- ""-"- @- - -> - - -- ""-"- @- - -> - - - - -- " -+ ^ ] ` * " - ? " - "< - = - --- >< - " + = - "--- - <= - *= " = - "--- - <= - " - *= " = - " "> - ? " - " " - = " "> - ? " - "< " - " " - = " -+ ^ ] ` > > ------------------------------------------------------------ > > -------------- ------------------------------------------- > > - > > ------------------------ ----------------------------------- > > - > > ------------------- --------------------------------------- > > ------------------------------------------------------------ > > ------------- : > > :// . . ( " " ) > > ------------------------------------------------------------ > > ------------------------------------------------------------ ------------------------------------------------------------ -------------- -------------------------------------------- - ----------------------- ------------------------------------ ------------------------------------------------------------ ------------- : :// . / . ? :// . . . / / . . - - . :// . . / . :// . . / ? = _ ------------------------------------------------------------ ------------------------------------------------------------ y elap y i o r eeys y elap y i ep o r eeys y elap y i o r ay i ep o r eeys or what is a new lo y pass h y aay y ot yys aay i eyy aay y i eyy aay i y y i eyy y y y aay y ar ot yys y y y aay y ot ay ar ot yys or what is a lo y has a new lo y pass NCDJ gj A bEUJ ldhI X 0 F k 8 c6 cThM 7HdL k 8 Id jTA cThM 7HdL k 8 MSJ Rh CY Id jTA cThM KF Jm J gj A cA kk J ldhI X 0 66 m B sg 2 B Cb 7 8 Cb 7 8 b 8 Cb 0 0 Eb m 7A he sg g 0 Eb m B kg 7A he sg KF Jm J gj A bEUJ jdh d cA kk J ldhI X jm c s2 PTRz http www chromaticspaceandworld com we whant the kromsjien lo y PTRz http rhizome org object rhiz 5852 http trace ntu ac uk incubation gallery cfm www muse apprentice guild com http www krikri be poeuk html http www google com search q lo y artcom unstable digest vol 24 Sat Dec 7 18:23:09 2002 Subject: (no subject) From: "Johan Meskens CS2 jmcs2" Subject: [e-e]xpression-4 From: pascale gustin Subject: the storms not here before it came From: kari edwards Subject: interview for m.a.g. From: Alan Sondheim Subject: Dear! From: Alan Sondheim Subject: RHIZOME_RAW: COMBINED-OBJECT-DEPLOYMENT #002 From: Pearl Schumann Subject: [e-e]xpression-3 From: pascale gustin Subject: | || " || 2-12-2002-10:10 |_| 544333 2" || purple|||||red||||||purple|||||white|||purple||blue 'blue ~" || s | From: Johan Meskens CS2 jmcs2 Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N From: "+ lo_y. +" Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N From: "Johan Meskens CS2 jmcs2" Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N From: "Johan Meskens CS2 jmcs2" Subject: brush-shaft messages From: Alan Sondheim Subject: Re: ) l> " l? 5b-(1-/00/-0210 LBI _TS)33 2" BI N From: "Johan Meskens CS2 jmcs2" lurking editors beatrice beaubien 7-11 nettime-bold syndicate thingist florian cramer 7-11 _arc.hive_ eu-gene o-o rhizome rohrpost syndicate webartery wryting alan sondheim 7-11 _arc.hive_ poetics siratori trAce webartery wryting $Id: digestunstable.pl,v 1.12 2002/11/21 16:13:41 paragram Exp $